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Kamis, 10 Maret 2011

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Published on: 2014-10-25
Binding: Paperback

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Minggu, 06 Maret 2011

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From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.

Born just 15 months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan - charismatic and impulsive - finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother's political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.

But when Subhash learns what happened to his brother in the lowland outside their family's home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind - including those seared in the heart of his brother's wife.

Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.

Long-listed for the 2013 Man Booker Prize

Sales Rank: #12254 in Audible
Published on: 2013-09-24
Released on: 2013-09-24
Format: Unabridged
Original language: English
Running time: 784 minutes

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174 of 184 people found the following review helpful.
A Sketchy Multi-Generational Portrait
By Jill I. Shtulman
First let me say that Jhumpa Lahiri is my goddess of literature. I read a lot - maybe 75 books a year - and I have rarely fallen under the spell of a book the way I did with Interpreter of Maladies. Her follow-up collection of short stories, Unaccustomed Earth, was also an unqualified 5-star success.

So I was dying to get my hands on her new novel, The Lowland. I read through it eagerly but I closed the last page with mixed feelings.

Let's start with the good: Ms. Lahiri is a natural-born storyteller. In this book, she introduces two brothers, close in age who are poles apart - Udayan, the revolutionary brother who gets caught up in the Mao-inspired Naxalite movement to wipe out poverty in India and his more reserved and dutiful brother, Subhash, who leaves home to pursue an academic and scientific life in Rhode Island. When Udayan inevitably gets swept into a revolutionary movement that turns out badly, Subhash returns home -briefly - and picks up the pieces, including an attempt to heal the emotional scars of his brother's young wife.

As the plot goes on - and it is not my desire to encapsulate the plot or to create spoilers - about 70 years of family history is condensed into a mere 340 pages. Themes play out and then they play out again: the connections that make and break us, the intertwining to people we cannot truly see or know, the way we are defined by the place we call "home", the quiet differences we make in the world. It's all wound up in the history of India and indeed, Ms. Lahiri is at her very finest when she's describing Indian customs or lifestyles as only an insider can.

There's some lovely craftsmanship here, not bells and whistles, but quiet and contemplative -- even shimmering - moments. The problem is, I never found it to be very compelling. Because of all the years and generations (four of them) that Ms. Lahiri has to cover, she can only provide sketches of her characters. And they never truly come alive.

Yes, Udayan is the fiery revolutionary...but what made him so and why was he willing to sacrifice so much (the headiness of youth and a sense of fairness should only be the beginning). His wife, Guari, who eventually bonds with Subhash, was an enigma to be throughout. She is a distanced character, and her actions begin to feel somewhat predictable; the reader is never treated to her resonance and depth. And Bela, her daughter, is only revealed in limited emotional scope.

A novel, unlike a short story, demands a considerable emotional tension, a multi-textured richness that makes characters leap off the page. I never really sensed the two-dimensionality, possibly because the story line was multi-generational and ambitious. The litmus test of whether or not you will love this book is this: if you loved Namesake, this is definitely a book for you, since stylistically, there are similarities. If you are, instead, a fan of her short stories, you may or may not be engaged. Judge for yourself.

8 of 8 people found the following review helpful.
Intellectually but not emotionally compelling
By Avid Reader
There is no doubt that Jhumpa Lahiri is a talented writer, but The Lowland is one of the most depressing books I have read in a long time. Considering the underlying passion that motivated the life altering decisions of the main characters, this book was oddly devoid of passion. The reader does not get caught up in fervor of Udayan's social activism, the highs and lows of the marital relationships, and the depth of the parent - child bonds. Instead you view all of these moments at arm's length, only feeling the sadness, isolation and futility of all of (with the possible exception of Bela) their lives. The Lowland is not a book that will have you tearing up as you experience joy and sorrow through well drawn characters in turmoil. Rather, it is more of an intellectual exercise that will give you plenty to think about when you are done, but will not touch you in your heart.

1 of 1 people found the following review helpful.
Shame on the author for writing and publisher to take it further
By Amazon Customer
I have read many books by Indian Authors and the movement from India to America. I understand the characters and stories around coming to a new culture.
This book represents to me the worst that capitalism brings to the world today. A greedy publisher and a very non-caring writer, cashing on their past laurels. Jhumpa Lahiri should have given serious thought on what exactly was the purpose of writing the book. I don't think serious thought was given. The publisher should have looked at the book and reviewed it on its own merit.

The book is a collection of characters who are supposedly connected to each other as family. Just like the book itself, there is no purpose to any of their lives. The book keeps jumping from character to character and locations aimlessly. You are constantly reminding yourself that an author of her level, is taking you somewhere, the story has a purpose, the book has a message and that the ending will lead you somewhere. Eventually it leads you nowhere.

At the end of the book, you feel, you read something about some characters whose lives had no purpose. The characters did not feel connected to each other in anyway. Their actions did not reflect that they were influenced by their past.

I have rarely written such a negative review but I do not see myself buying another book by this author. I feel she took away time from my life, took me down a journey which lead nowhere. I think she needs to reflect on how many books she can write on an Indian moving to America, living in a small town. She needs to reflect, is there more to her creativity than these themes.

She needs to reflect wether she want to encash on her name all her life or actually explore her creativity.

At the end, neither do I recommend this book, nor this author anymore.
Shame on the Publisher to focus on the greed of selling books than reviewing the book on its merit.

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Rabu, 02 Maret 2011

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In this play, historian and playwright Howard Zinn dramatizes the life of Emma Goldman, the anarchist, feminist, and free-spirited thinker who was exiled from the United States because of her outspoken views, including her opposition to World War I.

With his wit and unique ability to illuminate history from below, Zinn reveals the life of this remarkable woman. As Zinn writes in his Introduction, Emma Godman "seemed to be tireless as she traveled the country, lecturing to large audiences everywhere, on birth control ("A woman should decide for herself"), on the falsity of marriage as an institution ("Marriage has nothing to do with love"), on patriotism ("the last refuge of a scoundrel") on free love ("What is love if not free?") and also on the drama, including Shaw, Ibsen, and Strindberg. This book will be of immense interest to feminists, American historians, and people interested in the long history of resistance and protest in the United States.

Howard Zinn is professor emeritus at Boston University. He is the author of the classic A People’s History of the United States. A television adaptation of the book is currently being co-produced by Matt Damon, Ben Affleck, and Chris Moore for HBO. Zinn has received the Lannan Foundation Literary Award for Nonfiction and the Eugene V. Debs award for his writing and political activism. Zinn is the author of the internationally acclaimed play Marx in Soho, which has been touring the country in performance since its release.

Sales Rank: #860878 in Books
Brand: Brand: South End Press
Published on: 2002-09-01
Original language: English
Number of items: 1
Dimensions: 8.40" h x .40" w x 5.40" l, .45 pounds
Binding: Paperback
176 pages

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4 of 5 people found the following review helpful.
"We have to have a little beauty in our lives, even in the midst of the struggle." *
By Kerry Walters
In all honesty, I've avoided reading Zinn's "Emma" (and his "Marx in Soho") for years because my experience with literary pieces written by scholars is that they're usually didactic and lifeless. This was stupid on my part. After all, the eloquence of Zinn's You Can't Be Neutral on a Moving Train brought tears to my eyes on several occasions, and one of the things that makes his People's History a classic is the beauty of his style.

So reading "Emma," when I finally turned to it, was pure pleasure. The play is divided into 2 acts with 23 scenes between them. The first act tracks Emma's life up to Alexander Berkman's assassination attempt on Henry Clay Frick. The second focuses on Emma's life up to her arrest (and eventual deportation) during World War I, with special emphasis on her tumultuous love affair with Ben Reitman.

Zinn wants to pull off two things in "Emma": give the audience a good (although necessarily impressionistic) portrait of Emma Goldman the person, and also tell the audience something about her anarchist ideals and lifework. He does a good job of both, and especially manages to get across Emma's sheer love of life--"I realized my life could be...ecstatic," as she says at one point (p. 48)--that frequently set her apart from more dour, humorless fellow revolutionaries. (What might the Russian revolution have become if Lenin and Trotsky had loved life as fervently as Emma did?)

Zinn also succeeds, without being heavy-handed, in showing Emma's ongoing relevance (something he also pulls off with Marx in "Marx in Soho"). At one point in the second act, for example, Emma gives a speech on patriotism. "What is patriotism?" she asks her audience--that is, us. "Those who have had the fortune of being born on some particular spot consider themselves better, and nobler than the living beings inhabiting any other spot. It is, therefore, the duty of everyone living on that chosen spot to fight, kill, and die to impose his superiority upon all the others. Patriotism is the nourishment of war." A member of the audience shouts in protest that "patriotism makes us a united people!" "Yes," replies Emma, "it unites us, against others!"

"Emma" is guaranteed to whet one's appetite for more, and it sent me scurrying to reread old favorites--Kropotkin, Berkman, and Emma herself--who I haven't read in ages. I'd be ecstatic if I could actually see the play performed on stage. In this day and time especially, it merits a wide audience.
_________
* Emma to Berkman, Act 1, scene 9

11 of 13 people found the following review helpful.
Accurate and Needed but...
By Dana Garrett
Zinn does an excellent job of introducing readers to Goldman, Berkman, Most, Reitman and others. Readers get an accurate sense of their personalities and concerns, a consequence of Zinn's ability to adapt actual source material in the dialogue.
The problem with play is that its intention seems to almost entirely consist in introducing readers to Goldman et al. Although that is a worthy aim, the play itself lacks the dramatic tension necessary to lend cohesion to its snapshots of Goldman's life. The play seems loosely organized around Berkman's incarceration and Goldman's erotic relationships. Because these events happened over several years, the play attempts to cover too much time and, consequently, lacks the dramatic intensity of a shortened time frame.
Still, for anyone who loves and studies Goldman (as I do), this is a must read. It's clear that Zinn fully appreciates the greatness of this much-neglected radical.

2 of 3 people found the following review helpful.
Compelling Subject, Wrong Playwright...
By SusanS
So, this play gets four stars...but that's being generous. However, there are no other plays written about the amazing Red Emma, so Howard Zinn gets many, many kudos for writing a play about a person whom the American government and textbook writers would seem to want to forget about. Goldman was an amazing woman--anarchist and feminist, she was a proponent of free love (homo and heterosexual), an avid fighter for workers' rights and women's reproductive rights, and an impassioned speaker. In fact, in her heyday, her speeches would have drawn crowds the likes of Martin Luther King or Barack Obama.

So, thank you, Howard Zinn for resurrecting Emma into play form. But let's be clear: Howard Zinn is not a playwright (although a stunning historian), and this is not a very good play. It's quite didactic, relatively undramatic, and long. Basically, Howard Zinn took a history book and put it into play form, without changing the style.

So, a mixed bag altogether. It's an important play, because there's not really any other play about her, but let's just say, I hope someone writes a better one soon.

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Minggu, 27 Februari 2011

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Published on: 1600
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Senin, 21 Februari 2011

[R413.Ebook] PDF Download You Can Heal Your Life, by Louise Hay

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You Can Heal Your Life, by Louise Hay

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In this inspirational and practical book, there is enough information for everyone to begin the realization of healing of whatever they need to heal... You Can Heal Your Life, the definitive bestselling book on self-healing, has transformed the lives of millions of people. This is a book that people credit with profoundly altering their awareness of the impact that the mind has on our health and well-being. In 1984, You Can Heal Your Life was published. In it, Louise explains how our beliefs and ideas about ourselves are often the cause of our emotional problems and physical maladies and how, by using certain tools, we can change our thinking and our lives for the better. This New York Times Bestseller has sold over 39 million copies worldwide. Louise s key message in this powerful work is: If we are willing to do the mental work, almost anything can be healed. Louise explains how limiting beliefs and ideas are often the cause of illness, and how you can change your thinking...and improve the quality of your life! Packed with powerful information you ll love this gem of a book! In this inspirational work, world-renowned teacher, Louise L Hay offers profound insights into the relationship between the mind and body. Exploring the way that limiting thoughts and ideas control and constrict us, she offers us a powerful key to understanding the roots of our physical diseases and discomforts. Full of ideas and strategies that have worked the millions of people worldwide, this practical selfhelp guide will change the way you think forever!

Sales Rank: #628923 in Books
Published on: 2008-05-01
Original language: English
Number of items: 1
Dimensions: 8.39" h x .71" w x 5.71" l, .31 pounds
Binding: Paperback
252 pages

Amazon.com Review
If you haven't seen Hay House's Lifestyles series of gorgeous gift books, there is no better way to acquaint yourself than with publisher/author Louise Hay's You Can Heal Your Life. A bestseller for many years, You Can Heal Your Life has been republished with bright, beautiful illustrations in full, living color and exquisite typography--each and every page is a work of art by artist Joan Perrin Falquet. The timeless message of the book is that we are each responsible for our own reality and "dis-ease." Hay believes we make ourselves ill by having thoughts of self-hatred. She includes a directory of ailments and emotional causes for each with a corresponding affirmation to help overcome the illness. For example, the probable cause of multiple sclerosis is "mental hardness, hard-heartedness, iron will, and inflexibility." The healing "thought pattern" would be: "By choosing loving, joyous thoughts, I created a loving joyous world. I am safe and free." --P. Randall Cohan

Review
This book turned my life around. Martine McCutcheon After I read You Can Heal Your Life I realised that salvation lay in myself. She Magazine Louise L Hay - the patron saint of affirmations. Woman & Home Magazine Loving yourself is the basis for all self-healing. The Times Hay has been responsible for helping countless people get their lives back on track The Sun A lovely inspiring book The Sun Responsible for helping countless people get their lives back on track...a lovely, inspiring book. -- Natasha Harding The Sun Self help: the classics. The Times A guide to how negative mental processes can cause physical illness. The Times Louise Hay's 'You Can Heal Your Life' is without a doubt one of the best-known spiritual books ever released, and continues to inspire men and women all over the world to better their lives. An absolute favourite in the S&S office, it's something everyone should read at least once in their lives. Soul & Spirit magazine

From the Inside Flap
"If we are willing to do the mental work, almost anything can be healed."

Amber Lotus is proud to introduce the new You Can Heal Your Life 2010 wall calendar. This inspirational calendar features text from the New York Times bestselling book of the same title (with over 35 million copies sold worldwide since its publication in 1984). In this powerful and pioneering work, Louise L. Hay explains how our beliefs and ideas can be the cause of illness, and how you can change your thinking to improve the quality of your life!

Every month this calendar features a wisdom quote, teaching text and a helpful affirmation, all illustrated with the charming artwork of Joan Perrin Falquet.

Louise L. Hay is a metaphysical lecturer and teacher with more than 40 million books sold worldwide, and is widely regarded as one of the founders of the self-help movement. For more than 25 years, Louise has helped millions of people discover and implement the full potential of their own creative powers for personal growth and self-healing.

Most helpful customer reviews

17 of 17 people found the following review helpful.
The Single Most Important Book Of My Life
By ERIC FRAIZE
I first came to know this book when I was only 17 years old! That was 27 years ago! I had just left an alcoholic relationship with a 30 year old man (of course, at the time, the age difference didn't dawn on me). I called a friend in desperation and he said to me, "There's a book you need to read. It's called 'You Can Heal Your Life' by Louise Hay." I got the book, read it, and my life has never been the same. It lead me to one miracle after another. It was the pebble that started an avalanche in my life. I can say, with no exaggeration whatsoever, that this was the most important, the most profound book IN MY LIFE. Get it. Work it. Live it. It may be difficult at times. And you may cry a good belly cry from all the crap you release as a result of reading it. But your eyes will be opened and you WILL SEE!

13 of 14 people found the following review helpful.
Yes, You Can Heal Your Life
By Sunflower.
This book changed my life. I know you've heard that said about a lot of books and I'm sure there are other fine books out there. But this one,You Can Heal Your Life, by Louise Hay, is the motherbook from which all others evolved. I was introduced to it in 1990, 26 years ago, when I was 42. At the time I was reeling from a pessimistic cancer diagnosis, the end of my marriage, and the development of Chronic Fatigue Syndrome. I'm almost 69 and this is the book that showed me how to live with and through all that and more. I've given away at least a hundred of these books and this one went to my new friend, Tina, who is excited about the changes in her life she has already made. I can't recommend it highly enough.

4 of 4 people found the following review helpful.
Everything but the List
By L. Davis
This is a straight forward, easily read and enacted guide to getting on track in spite of being exposed to criticism. You may not have had the best expreriences, but you don't have to continue the story others fed you.

My only hesitation with recommending this book is the idea of self healing. After a bout with skin cancer medical intervention was required. It looked like a normal pimple and wasn't and another few months could have lead to disaster. Yes, we can have a positive attitude, but there are times when instincts kick in and we need to follow them also.

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Rabu, 16 Februari 2011

[M304.Ebook] Download PDF When English Language Learners Write: Connecting Research to Practice, K-8, by Katharine Davies Samway

Download PDF When English Language Learners Write: Connecting Research to Practice, K-8, by Katharine Davies Samway

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When English Language Learners Write: Connecting Research to Practice, K-8, by Katharine Davies Samway

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Unfair mythologies about English language learners have sprung up in schools around the country. Unsure how to help nonnative speakers write, some teachers and administrators have resorted to deficit-based stereotypes: ELLs can't write They have writing problems They are reluctant writers They need to be taught the skills of writing before writing independently.

In reality, however, ELLs benefit from the same smart, research-based instructional strategies as mainstream student writers, and in When English Language Learners Write, Katharine Davies Samway explores second language writers, shattering myths and in their place offering meaningful insight into powerful instruction.

When English Language Learners Write helps you connect the latest thinking on ELLs and language acquisition to your everyday classroom practices. Samway helps you understand numerous important factors affecting nonnative writers, including:

what young children know about print and about the connection between oral and written language
how their native language influences the process of learning to write in English
how gender, race, ethnicity, and social class affect writing
how adult expectations, school-based writing experiences, and participation in bilingual classrooms affect children's development as writers
which current developments in writing pedagogy help the most.

Then she shows you crucial steps to take for instruction that's responsive to language learners' needs, such as:

understanding the literacy practices of non-mainstream cultures
discovering what ELLs can do as writers before they become fluent in English
moving from looking at only the writing itself, to investigating writers' processes
providing a print-rich environment to cement the reading-writing connection and foster literate behaviors in a new tongue
incorporating reflective writing such as logs and dialogue journals to support ELLs' literacy development
providing a learner-centered workshop approach to teaching writing.

Not only does Samway provide a window into the latest research as well as practical teaching ideas, she takes you inside the minds and classroom experiences of five ELLs. She documents the ways they think, the products of their learning, and their progress as writers. You'll see firsthand how an instructional focus on what children can do helps nonnative speakers become fluid English writers more quickly than placing them in low-performing groups or falling back on pullout remediation.

Sales Rank: #139784 in Books
Published on: 2006-03-14
Released on: 2006-03-14
Original language: English
Number of items: 1
Dimensions: 9.20" h x .45" w x 7.30" l, .77 pounds
Binding: Paperback
208 pages

About the Author
Katharine Davies Samway is Professor of Education at San Jose State University, where she teaches courses in reading/language arts, assessment, writing, and multicultural literature for children and young adults. Her research focuses on the literacy development of English language learners (particularly their writing development and processes), and influences on teachers' beliefs and practices. Her previous books with Heinemann include Myths and Realities (1999) and Buddy Reading (1995). She also cowrote Literature Study Circles in a Multicultural Classroom (1996).

Most helpful customer reviews

5 of 5 people found the following review helpful.
Informative and a good read
By B. Sanders
This book includes much information in an easy to read format. The information is presented in the first person and flows well. It does not read like a textbook or a research paper, but does include the knowledge of both.
The information provided in this book is helpful for all teachers of learning writers. While some sections pertain exclusively to English Language Learners, so much of the writing process is applicable to all learners. It is a great resource for teachers of writing.
The reason I only gave it four stars was that I found the book lacking in one area. The book does not have much discussion regarding English Language Learners who do not have an academic background in their home language. The research does show that it is best for students to be able to have strong foundation in their first language and the information will "transfer" to their second language. However, most of the students I have worked with do not have a foundation in their home language. They come to school, in kindergarten, without knowing how to read and write in their home language. Some parents will teach their kids at home, but many will not (they fear that it will hurt their child's chance of doing well in English. And yes, I do tell them that anything they learn in their home language will be of benefit to them. However, parents make the final decision as the school does not teach any other languages except English). It is for these students, learning a new language and learning academics at the same time, which I would love to see more research.

0 of 0 people found the following review helpful.
Not what I expected from reading the title and blurb
By candida p.
Not among the list of best books I've read, and there's lots of compact research info, but very little practice connection, so don't really believe the title.

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Jumat, 11 Februari 2011

[E485.Ebook] Download Clarissa, Or The History Of A Young Lady, by Samuel Richardson

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Clarissa, Or The History Of A Young Lady, by Samuel Richardson

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This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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Clarissa, Or The History Of A Young Lady; Volume 8 Of Writings Of Samuel Richardson; Samuel Richardson

Samuel Richardson

Chapman & Hall, 1902

Published on: 2012-05-02
Original language: English
Number of items: 1
Dimensions: 9.69" h x .79" w x 7.44" l, 1.51 pounds
Binding: Paperback
384 pages

About the Author
fm.author_biographical_note1

Most helpful customer reviews

128 of 131 people found the following review helpful.
One of the Seminal Novels in English
By mp
Samuel Richardson's massive 1747-8 novel, "Clarissa," is not only the longest novel I've ever read, but one of the best and most complex. Much like Richardson's first novel, "Pamela," "Clarissa" deals with the torments of a virtuous young lady abducted by a rake/libertine (in modern parlance, a rapist) who submits the heroine to a series of trials. Unlike Pamela, a lower class maiden, Clarissa is a member of an established and wealthy family. This change in social situation allows Richardson to explore a host of new issues, with the primary goal of moral didacticism remaining intact between the two.
Clarissa Harlowe, the most beautiful and exemplary of her sex, is being imposed upon by her implacable family to marry one Mr. Solmes, a man of no mean fortune, but whose ethics, especially with regard to his own family, are suspect. Simultaneously, Clarissa's sister, Arabella, has just rejected a proposal from one Robert Lovelace, the heir of a nobleman, educated and refined, but known for his libertinism - his tendency and enjoyment of seducing young women and then abandoning them. Lovelace falls in love, or in lust, with Clarissa, and after he and Clarissa's brother James, heir to the Harlowe fortune, engage in a near fatal duel, Clarissa's continued correspondence with Lovelace becomes a major thorn in the side of the Harlowes' plans for Clarissa. The Harlowes continue to urge the addresses of Mr. Solmes while vilifying Lovelace - Clarissa not approving of either - and when her family's insitence becomes insupportable to Clarissa, the utterly demonic Lovelace takes advantage, whisking her away from a seemingly inevitable union with Solmes. Thus begins an absolutely terrifying journey for Clarissa through the darkness of humanity, as Lovelace plots and executes his seduction of the 'divine' Clarissa.
An epistolary novel, "Clarissa" is written in the form of a series of letters spanning nine months, principally between Clarissa and her best friend and iconoclast, Anna Howe, and between Lovelace and a fellow libertine, John Belford. Richardson's 'to the moment' style of writing gives a minute account of everything that happens to the main characters almost as it happens, giving the novel a highly dramatic sense of urgency. The four major correspondents, as well as others, also give the novel a well-developed sense of perspective, as we get not only the events, but biased opinions and readings of all the other characters, making the events at times difficult to follow, but at the same time, marvelously rich and complex.
Some of the most interesting facets of this novel are its interactions with the law, primarily inheritance law, the contrast between history and story, and at the forefront, the debate over gender roles in marriage. Almost of a piece with the novel's legal issues, Richardson examines the vagueries of semantics - what do words mean? How are words regarded and used differently by men and women? Richardson also confronts the way we read and interpret 'truth' - in a book composed of letters, subjectively written and read, where can we look to for 'truth'?
Among the characters in the novel, by far the most captivating and challenging in "Clarissa" is the aforementioned Anna Howe. The ways she clashes with tradition and propriety throughout the novel are entertaining, and very much reminiscent of the eponymous heroine of Defoe's "Moll Flanders." An amazing and influential novel to say the least, anyone with a few weeks on their hands who is interested in the history of the novel in English should pick up and give "Clarissa" some serious attention, stat!

93 of 99 people found the following review helpful.
Read the UNABRIDGED Clarissa!
By A Customer
The UNABRIDGED Clarissa (Penguin ed.) is a powerful, moving eighteenth-century English masterpiece, the first great psychological novel. Its length may seem daunting and it does take at least six weeks to read, but you will be rewarded by finding yourself immersed in the minds of Clarissa and Lovelace. You will feel as though you are living in their world, facing their moral dilemmas, deciding on courses of action, predicting consequences. However, if you accidentally pick up the Sherburn ABRIDGEMENT of Clarissa, you will NOT be able to savor Richardson's famous "writing to the moment." If you doubt me, take a look at Mary Anne Doody and Florian Stuber's article, "Clarissa Censored," in the journal Modern Language Studies (1988). The abridgement is a travesty of Richardson's greatest novel.

37 of 38 people found the following review helpful.
Not a book to be read in abridgement--be patient!
By A Customer
Once you've read this book, you can barely read anything written in England post-1750 without finding and feeling Richardson's influence. An English epic, a sometimes infuriatingly detailed exploration of men and women under pressure, a masterfully crafted depiction of bewilderment, betrayal, and the kind of religious ecstasy that's difficult to read. Don't miss Letter 246. Stay with this book, even if it takes you weeks (it took me 7)--it's well worth it, a one-of-a-kind reading experience.

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