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Modern Radio Production: Production, Programming, and Performance 8th edition by Carl Hausman. Wadsworth Pub Co,2009

• Sales Rank: #1104777 in Books
• Published on: 2009
• Number of items: 2
• Binding: Paperback

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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Mannheim, course: British Literature of the 50's, 22 entries in the bibliography, language: English, abstract: All human beings have a deep need for necessity in their lives. We want to know why we exist, we want to understand the world and its secrets, and we want to know our place in the world. Concepts like religion and philosophy are concerned with those questions and try to provide answers to them. Nevertheless, there are still no satisfying explanations. This is due to the fact that "our actual lived experience has no form or unity in itself, but is full of contingent rubble, accident, and unsystematized detail which may resist our attempts at unity" (Antonaccio & Schweiker, Human Goodness 111). As our world is contingent, it cannot be completely understood. Consequently, we should accept its contingency instead of denying it by trying to find an explanation to everything. The stress ratio between contingency and necessity is also the theme of Iris Murdoch's first novel Under the Net. Throughout the novel, the protagonist Jake Donaghue searches for his own identity and for a master theory which is able to explain the world (cf. Porter, Leitmotiv 379). In the end, he realizes that he has to change his attitude towards contingency. In the following, I will try to find reasons for the change of Jake's attitude, and I will describe the consequences of this change. In order to be able to do this, I will first provide a definition of the term 'contingency' and place it in the context of philosophy in chapter 2. Afterwards, I will explain some essential aspects of contingency in the novel in chapter 3. In chapter 4, I will have a look at Jake's changing attitude towards contingency in the course of the novel in order to, finally, be able to find reasons for the change and to describe its consequences in chapter 5 and 6.

• Brand: Brand: GRIN Verlag
• Published on: 2013-10-29
• Original language: English
• Number of items: 1
• Dimensions: 8.27" h x .16" w x 5.83" l, .22 pounds
• Binding: Paperback
• 68 pages

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The Second Edition of The SAGE Handbook of Persuasion: Developments in Theory and Practice provides readers with logical, comprehensive summaries of research in a wide range of areas related to persuasion. From a topical standpoint, this handbook takes an interdisciplinary approach, covering issues that will be of interest to interpersonal and mass communication researchers as well as to psychologists and public health practitioners.

• Sales Rank: #1378219 in Books
• Brand: Brand: SAGE Publications, Inc
• Published on: 2012-09-19
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.00" w x 1.05" l, 2.05 pounds
• Binding: Hardcover
• 456 pages

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About the Author
James Price Dillard is Liberal Arts Research Professor in Communication Arts & Sciences at The Pennsylvania State University. His research emphasizes theory and empirical analysis of the role of emotion in persuasion. He has received the John E. Hunter Award for Meta-Analysis and is a Fellow in the International Communication Association. His previous books include Seeking Compliance: The Production of Interpersonal Influence Messages and (with Michael Pfau) The Persuasion Handbook: Developments in Theory and Practice, 1st edition.

Lijiang Shen is associate professor of Communication Studies at the University of Georgia. His primary area of research considers the impact of message features and audience characteristics in persuasive health communication, message processing, and the process of persuasion/resistance to persuasion as well as quantitative research methods in communication. His research has been published in major communication and related journals.

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1 of 1 people found the following review helpful.
Well Worth the Price
By Scott McDonald
There are lots of textbooks out there on Persuasion. This is certainly one of the best. It is clearly written, well organized, and comprehensive. Rather than present models and theories without criticism, it presents the arguments for and against each without getting into the tall weeds. I also found that the summary and the end of each chapter to be extremely helpful. The choices for references also appeared to be well considered.

That being said, unless you have a firm grasp on sociological statistics, the chapter on Discrepancy Models of Belief Change (Chapter 6) is going to be a challenge. Also, the vocabulary for most of the book will require a background in reading research papers to get the most out of the book. For that reason, I recommend it for graduate studies in Communications and Rhetoric but might be a bit more cautious having it considered as an undergraduate resource.

0 of 0 people found the following review helpful.
Five Stars
By justin sechrest
Great book if you're studying Health communication theories and models.

0 of 1 people found the following review helpful.
Three Stars
By SethB
Lots of typos, clearly some people just mailed this one in.

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• Sales Rank: #2149665 in Books
• Published on: 2009
• Number of items: 1
• Binding: Hardcover

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[I548.Ebook] Ebook "le guide de l'automédication ; bien utiliser les médicaments sans ordonnance (3e édition)", by LOï¿&frac

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• Published on: 2009-04-20
• Original language: French
• Dimensions: 6.50" h x .71" w x 9.45" l,
• Binding: Paperback

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[J812.Ebook] Ebook Free Scared!: How to Draw Fantastic Horror Comic Characters (Fantastic Fantasy Comics), by Steve Miller, Bryan Baugh

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SCARED! How to Draw Fantastic Horror Comic Characters is a response to the rise in interest in the horror genre in film, comics, and graphic novels. Readers are given a brief history of horror comics-like EC, Vertigo, and DC Comics-and the influence of legendary horror genre artist Bernie Wrightson, before all manner of horror creatures are unleashed. In-depth step-by-step instructions are provided for drawing such horror subgenres as Bring on the Monsters (werewolves, wolfman, and teenage werewolf); Love at First Bite (vampires, vampire bats, and vampire slayers); Up From the Depths (killer sharks, piranhas, and the swamp and its inhabitants); and Some Things Are Best Left Buried (the crypt, the mummy, and the ancient curse).

• Sales Rank: #1229743 in Books
• Published on: 2004-11-01
• Released on: 2004-11-01
• Original language: English
• Number of items: 1
• Dimensions: 10.84" h x .43" w x 8.53" l, 1.25 pounds
• Binding: Paperback
• 144 pages

From Booklist
Gr. 9-12. Scared! begins with a brief history of horror comics (mostly in the U.S.), profiles of some popular illustrators, useful tips on drawing for the genre (creating "creepy characters," for example), and advice on references and resources. The bulk of the book is dedicated to straightforward how-to, with illustrations for a gallery of ghouls showing each character broken down into basic shapes. The approach is especially suited to YA artists just developing an interest in how comics are drawn. Coloring and Lettering is an extensive look at what an artist needs to know about these subjects in order to become a professional in the comics industry--from fundamental principles of color and using computers to tools and skills needed to create a variety of styles of lettering. The book also lends insight into how and why coloring and lettering in comics have changed through the history of the industry. This is a great resource for YAs seriously interested in graphic storytelling; it will also find an appreciative audience among adults. Tina Coleman
Copyright � American Library Association. All rights reserved

About the Author
Steve Miller is the author of Freaks! How to Draw Fantastic Fantasy Creatures; Hi-Yah! How to Draw Fantastic Martial Arts Comics; Gung-Ho! How to Draw Fantastic Military Comics: and several other drawing titles. He lives in Canal Winchester, Ohio.

Bryan Baugh is the co-author of Scared! How to Draw Fantastic Horror Comic Characters and the author of Zap! How to Draw Fantastic Sci-Fi Comics. He is also the author of Swords and Sorcery. He has supplied storyboards for animated productions featuring Batman, Jackie Chan, and the Masters of the Universe. He lives in Thousand Oaks, CA.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not very complete
By Miguel Carballar Garrido
It's a nice book but you need to have and idea in painting because it's no so basic

0 of 0 people found the following review helpful.
Great Book!!!!
By T. Towers
I have been using this book endlessly! So many drawings that my sketchbook is almost full, this book is fantastic for anyone who appreciate classic horror comic. Bryan Baugh is certainly a genius and he will show you how to draw amazing horror figures. Steve Miller does the same. I recommend for everyone to get this book, it's a must have for horror fan.

2 of 7 people found the following review helpful.
awesome
By Lisa Jones
this book is a good book if you want to draw scary skeletons and stuff like that. in my opinion, i thought it was cool because it has an interview plus art from Vince Locke ( the guy who does cannibal corpes's artwork among many other).

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